Violence between clans, lust for power, fidelity to the tribe -- it's all there in Macbeth, especially when performed by the
Perseverance Theatre from Juneau, Alaska, in Tlingit and English, with dance and music.
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The presence of Raven, brought by storyteller/dancer
Gene Tagaban/Guuy Yaaw, gave the story an extra edge. If you're in the Washington, DC, area, a few tickets are still available for performances at the
National Museum of the American Indian through March 18, but some shows are already sold out.
We were particularly struck by the similarity between some of the Tlingit dance postures and movements and those of the Maori haka from New Zealand/Aoteroa. A case of shared origin and diffusion by migration? Or independent invention by projection from the collective unconscious?
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